Shot list
Shot
No.
|
Shot
|
Filmed?
|
||
1
|
Tracking
shot going diagonal from the wall of the bedroom to the daughter.
|
|
||
2
|
Daughter
crying. Going from low angle shot to high angle (alternative; close-up)
|
|
||
3
|
Extreme
close-up of the tears running down her face.
|
|
||
4
|
Panning
shot going through across the wall of the house with the sound of parents
fighting in the background.
|
|
||
5
|
Transition
to the son. Medium shot or close up
|
|
||
6
|
Long
shot of the son grabbing his bags and leaving the house; parents are still
fighting in the background.
|
|
||
7
|
Shot
of the divorce paper being chucked on the table; close-up
|
|
||
8
|
Tear
drop falls on divorce paper as it gets signed; extreme close-up.
|
|
||
9
|
Long
shot of the dad getting up from the sofa and leaving the living room.
|
|
||
10
|
Close-up
of the mothers face crying filled with emotions.
|
|
||
11
|
Wide
shot of London; the area they live in with the boy standing alone.
|
|
||
12
|
Smooth
transition to next scene (white screen in between the changes).
|
|
||
13
|
The
girl putting her uniform on and going to school with eye bags and dull face;
medium to close up, tracing shot.
|
|
||
14
|
Extreme
close-up of her tying her tie to go to school.
|
|
||
15
|
A
shot of the girl walking after school not being herself.
|
|
||
16
|
Close-up
of her face to focus on her emotions (upset face).
|
|
||
17
|
Fast
change of shot as she gets approached by someone; over the shoulder shot.
|
|
||
18
|
Blank
screen for 0.1 seconds; tensions start to build up music starts to get more
tense.
|
|
||
19
|
A
shot going around the daughter as she’s stressing out and feeling lonely.
|
|
||
20
|
A
shot going around the son seeing his facial expressions and showing
isolation.
|
|
||
21
|
The
mood changes with a shot of flowers and high-key lighting.
|
|
||
22
|
Medium
shot of the daughter with her new boyfriend
|
|
||
23
|
Shot
of the daughter and her boyfriend out together. Shot from the back of them
two walking together holding hands.
|
|
||
24
|
Mood
changes and more happy shots as she begins to feel better about the situation
at home.
|
|
||
25
|
Close-up
of daughters face with her smiling.
|
|
||
26
|
Shot
of daughter in her bed Face Timing her boyfriend. medium shot (montage
editing)
|
|
||
27
|
*blank
screen* before change in shot.
|
|
||
28
|
Then
changes straight away as the son is doing drugs.
|
|
||
29
|
A
hand held camera shot going around the son and his friends whilst they stand
in a circle
|
|
||
30
|
Shot
of son and his friends running. Long shot
|
|
||
31
|
They
get approached by another group of boys.
|
|
||
32
|
Over
the shoulder shot of them having a conversation amongst each other.
(confrontation)
|
|
||
33
|
Son
then grabs one of them by the neck and throws a punch.
|
|
||
34
|
Intense
scene with the son getting beaten up (without showing the violence).
|
|
||
35
|
Shot
of him on the floor after getting beaten up.
|
|
||
36
|
Close-up
of the sons face with bruises and marks; not a lot of blood to stay under
restrictions. *police siren wailing in the background*
|
|
||
37
|
Son
comes home with bruises on his face (close-up of him at the door)
|
|
||
38
|
Mum
opens the door. (match-on-action)
|
|
||
39
|
Gasps
at the state of her son (close-up)
|
|
||
40
|
Parents
coming to realise their kids are starting to fall under different
distractions; the impact they’re having on kids.
|
|
||
41
|
Close-up
of mothers face.
|
|
||
42
|
Close-up
of fathers face.
|
|
||
43
|
Whole
family sitting together; long-shot
|
|
||
44
|
Come
together as a family; long shot.
|
|
||
45
|
Happier
faces; close-ups or medium shots. Happy music in the background (tracing shot
of both parents)
|
|
||
46
|
Happier
faces; close-ups or medium shots. Happy music in the background (tracing shot
of both children)
|
|
||
47
|
Sun
shines on the house (outside long shot of the house); connotes happiness and
positivity.
|
|
||
48
|
Blank
screen to show the end.
|
|
||
49
|
Picture
of family with the name of drama, date and time it’s going to be aired,
director’s name and institution’s name.
|
|
Script
Daughter:
*crying* sits by herself in her room in dark lighting. Mourning noises in the
background with the sound of parents arguing.
*camera goes
around the family house; parents argument in the background*
Son: *gets
frustrated from the things happening at home* *sigh* gets ready to leave the
house. Grabs his things and leaves. *slams door*
Both parents:
signing the divorce paper *in tears*
*Shot of
London* (to show where they live/the area it's set in) voiceover saying ''and
welcome to London''
Daughter:
*leaving for school* not being herself with dull expressions
Daughter:
*leaving school* not being herself *takes deep breath* and continues walking
Daughter: gets
approached by a new person to the story during her way home (shot transition)
*blank screen*
quiet/no sound
Daughter and
son: camera going around them, focusing on their facial expressions.
*bright
lighting and change of mood* music building up to raise tension (non-diegetic
sound)
Daughter: shot
of her out with her new boyfriend (introducing new character) conversation
between them with soft non-diegetic music over it.
(High-key
lighting to connote happier scenes)
A change of
scenes as it starts to get darker and more serious
Son: shot of
him doing drugs (his friends chatter in the background)
Shot showing
son with his friends *chatter amongst them*
(Scenes get
more intense and we see the son getting more and more influenced and a bit of
violence).
‘‘RUN RUN! We need
to get outta’ here’’
Sound in pain
and punches being thrown, violent sounds and intense non-diegetic sound in the
background.
Son: Left with
bruises sound of him crying in pain. Flat and intense non-diegetic sound over
the sound effects done in the scene.
Both parents:
Come to realise the impact their problems are having on the kids *sigh in
stress and pain*
Whole family:
talking together amongst each other
*laughter and
chatter*
(Non-diegetic
music in the background throughout the trailer and the music get more upbeat as
the scenes get more intense).
Mise-en-scene
Cast-
- The mother
- The father
- The daughter
- The son
- The boyfriend
- The group of friends
Costume -
- School uniform or ID card to represent school kid
- Fashionable/branded clothing to represent their age and era set in
- Puffer jackets, hoods, tracksuits, balaclava's to represent gang members.
- Formal wear to represent going to work, older generation; more mature
- Asian clothing to represent culture and diversity
- Dark clothes to show sadness and set dull mood.
Makeup -
- Simple natural makeup for the mother
- Normal 'going out' makeup for the girl (when with her boyfriend)
- Use makeup to create a sad and dull face/look e.g. dark circles
- Use makeup to show bruises and scars (potentially a bit of blood)
Props -
- Fake drugs used around the gang
- Divorce papers
- Phone for the girl to talk to her boyfriend
- School bag/books to represent they're school kids
Lighting -
- Low-key lighting to set a dull mood and show sorrow; light only to focus on characters facial expressions
- High-key lighting to make the scene bright and connote happiness.
- Back-light when introducing the son
- Short light to focus on daughters tears
Settings -
- In school (Greenford high)
- At home
- The streets around the area they live in; west London
- The mother
- The father
- The daughter
- The son
- The boyfriend
- The group of friends
Costume -
- School uniform or ID card to represent school kid
- Fashionable/branded clothing to represent their age and era set in
- Puffer jackets, hoods, tracksuits, balaclava's to represent gang members.
- Formal wear to represent going to work, older generation; more mature
- Asian clothing to represent culture and diversity
- Dark clothes to show sadness and set dull mood.
Makeup -
- Simple natural makeup for the mother
- Normal 'going out' makeup for the girl (when with her boyfriend)
- Use makeup to create a sad and dull face/look e.g. dark circles
- Use makeup to show bruises and scars (potentially a bit of blood)
Props -
- Fake drugs used around the gang
- Divorce papers
- Phone for the girl to talk to her boyfriend
- School bag/books to represent they're school kids
Lighting -
- Low-key lighting to set a dull mood and show sorrow; light only to focus on characters facial expressions
- High-key lighting to make the scene bright and connote happiness.
- Back-light when introducing the son
- Short light to focus on daughters tears
Settings -
- In school (Greenford high)
- At home
- The streets around the area they live in; west London